Concert Film & Live Production

Your show.
A film that lasts.

A concert film is more than a recording. It's the most powerful marketing tool a band or artist can build.

What a concert film does for you

Festivals want to see live footage before they book you. Booking agents want to see how a band performs on stage. And a single show can keep you in content for months: the full film, individual songs, teasers, behind-the-scenes, social media clips. We come to you – from a small club gig to a major festival, and for theatre and dance productions too. Multi-camera, professional live audio recording, editing and mastering — all in-house.

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Three levels.
One honest price.

A concert film is made in three phases: pre-production, shoot day and post-production. For a Recording, pre-production is minimal. For Film and Blockbuster it is a project in its own right: developing the concept, rehearsing camera moves, working out the lighting design, scouting locations, planning the logistics.

Post-production – editing, colour grading, audio – is the biggest cost. Our day rate is €700 (incl. VAT). What you're paying for isn't button-pushing but real creative craft: every cut a decision, every grade a judgement call. The goal: something that doesn't look like a live recording – it looks like a film.

What determines the price: number of songs, cameras, locations, lighting setups, and how much pre-production is needed. The example budgets below are a guide, not a guarantee.

Level 01
Recording
"Documented. Clean. Fast."
Example budget · 10 songs
2 camera operators × €950from €1,900
4 static cameras × €100€400
Editing & colour correction, 5–7 days€3,500–4,900
Total excl. audio€5,800–7,200
net €4,873.95–6,050.42 plus 19% VAT
  • 2 moving + 4 static cameras
  • Editing & basic colour correction
  • Post-production: 5–7 working days
  • Delivery per song or as a complete film
  • YouTube & social media formats
  • Audio as an add-on (example below)

Ideal for: club shows, festival sets, social media content.

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Recommended
Level 02
Film
"Cinematic. Release-ready."
Example budget · 10 songs
4 camera operators × €950€3,800
4 static cameras × €100€400
Editing & colour grading, 15 days€10,500
Total excl. audio€14,700
net €12,352.94 + 19% VAT €2,347.06
  • 4 moving + 4 static cameras
  • Drone for open-air concerts
  • Lighting design optional (from €950/day)
  • Cinematic editing concept
  • Full colour grading
  • Sound engineer & recording gear optional (€700/day)
  • Post-production: 2–3 weeks
  • All output formats

Ideal for: release productions, YouTube, press & promotion.

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Level 03
Blockbuster
"Cinema-level. No compromises."
Why no fixed price?

What a Blockbuster production costs depends on too many factors to quote a fixed price. The shoot alone – depending on camera setup, lighting rig, crane, drone and crew – can easily run into tens of thousands before post-production even begins. Add 2–3 months of editing, colour grading and audio mixing. The result is worth it – but it has to be budgeted realistically.

Investment approx.€40,000–80,000
net €33,613.45–67,226.89 plus 19% VAT
  • All cameras from the Film package
  • Crane / jib + drone (indoor & outdoor)
  • Lighting design included
  • Multiple locations & times of day
  • Behind-the-scenes footage
  • Elaborate colour grading per lighting setup
  • Audio mixing & mastering included
  • Teaser & trailer included
  • Post-production: 2–3 months
  • DCP cinema file on request, at extra cost

For artists who want to release their concert film as a standalone work.

Let's talk

What affects the price

Number of songs Every song needs its own edit, colour correction and audio sync. 5 songs ≠ 15 songs.
Locations & lighting looks Different locations or times of day mean more colour grading – evening, afternoon and indoor are three different worlds.
Audio Recording and Film are calculated without audio. Live audio recording, mixing and mastering can be added – see the example budget right below.

Add-on: audio

Live audio, mixed and mastered.

Recording and Film above are calculated without audio. From the multitrack recording of the concert, we mix and master the audio in sync with the picture – so the film sounds like a live album.

The multitrack recording can often be handled by the venue's in-house engineer at the desk. For higher quality, we bring our own recording equipment and a sound engineer – €700 per day, the same as an editing day. More on our live recording mixing page.

Example budget audio · 10 songs
Multitrack recording by the venue's engineer–
Mixing & mastering, 10 songs × €515€5,150
Whole-concert discount, −10%−€515
Audio total€4,635
net €3,894.96 + 19% VAT €740.04
Optional: our own recording gear + sound engineer, per day+ €700
net €588.24 + 19% VAT €111.76

What we cover, start to finish.

Our experience goes beyond concerts. We have also filmed theatre productions and dance performances – with the same high standards for cinematography, lighting and audio. A professional recording protects your work: it captures what happens on stage and lets you share that moment – for funding applications, festival submissions or simply as a lasting record of the production.

Before the show
  • Location scouting & coordination
  • Technical rider review
  • Camera positioning & planning
  • Lighting design & planning (optional)
  • Coordination with venue & promoter
  • Drone permits
  • Audio setup & soundcheck coordination
On shoot day
  • Multi-camera team on location
  • Live audio recording (desk feed)
  • Lighting technician (Film & Blockbuster, optional)
  • Steadicam operator (on request)
  • Drone operator (open air)
  • Crane / jib operator (depending on the concept)
  • Pretty much anything is possible – we'll work out what serves the concept best
  • Behind-the-scenes camera optional
  • On-site data backup
Post-production
  • Multi-camera edit
  • Colour grading (per location/lighting)
  • Audio mixing & mastering
  • Audio-picture sync
  • Teaser / trailer
  • Delivery: YouTube 4K, Instagram, etc.

Concert films from our studio.

WeLive concert film reference 1
WeLive concert film reference 2
WeLive concert film reference 3
WeLive concert film reference 4
WeLive concert film reference 5
WeLive concert film reference 6

Alongside concert films we also film theatre productions and dance performances – every production level is available for any kind of stage production.

WeLive – our own concert film series.

WeLive is living proof of what's possible. Since 2020 we've been producing concert films for international and regional artists – with the same standard for every film: that it sounds and looks like a fully produced work.

And the sound? Handled in-house. We mix and master live recordings even when someone else shot the picture – synced to the video and broadcast-compliant where needed. More on our Live Recording Mixing page.

Show Teasers & Tour Trailers

A show teaser isn't a smaller concert film – it's a different tool: 60 to 90 seconds that grab attention, shot with one or two cameras instead of a large crew. Examples, process and packages from €2,350 are on a dedicated page.

See live trailers →
Dance film · 3sat (German public television)
Gauthier Dance – Dying Swans · punchline studio · 3sat

Gauthier Dance · Theaterhaus Stuttgart

Dying Swans

Choreography: Anita Hanke · Dancer: Shawn Wu · Video production: punchline studio

3sat Watch in the 3sat Mediathek →

On tour in Germany?
We come to you.

You're an international act touring Germany and need your show professionally filmed at short notice? We're mobile, have a nationwide network of camera operators and know how touring productions work.

Short lead times, clear communication, fast delivery. We've worked with international acts such as Uriah Heep, Nazareth and Wishbone Ash.

What touring bands often need

  • →Fast turnaround (24–72h rough cut)
  • →Social media clips for immediate release
  • →Multiple concerts in different cities
  • →Clean desk feed for release-quality audio
  • →English-speaking team

More on Concert Films.

What we actually do on set and in the edit, and why.

See all articles

Frequently Asked Questions about Concert Films.

How many cameras make sense for a concert film?
It depends on the format. For a clean recording, two moving cameras are enough. For a cinematic concert film – with dynamic editing, different perspectives and close-ups – four or more cameras make sense. More cameras also mean more flexibility in the edit, and therefore a better result.
Can I use a concert film for festival applications?
Yes – and it's often what tips the balance. Many festivals ask for professional live video as part of the application. A well-produced concert film shows not just how a band sounds, but how they perform on stage – and that's exactly what bookers want to see.
Can we use the footage for social media later?
Absolutely – that's one of the biggest advantages. A single show can keep you in content for months: the full film, individual song videos, short clips for Instagram and TikTok, behind-the-scenes material and teasers for future shows. We deliver all formats.
Is a single concert enough for a professional film?
Yes. Most of our concert films come from a single show. What matters is not the number of concerts but the quality of the production. With the right setup – cameras, lighting, live audio – a good show can become a film that feels like a fully produced work.
Does the audio need to be recorded on location, or is a desk feed enough?
A clean feed from the desk is the foundation. We usually record multitrack – every instrument and every mic on its own track. That allows a proper mix afterwards that sounds worlds apart from a simple stereo desk recording.
Do you also film choirs, orchestras and community bands?
Yes. Technically, an annual concert in a town hall is no different for us from a club show – several cameras, clean live sound from the desk feed, editing and mastering. For larger ensembles we plan the microphone setup and camera positions together in advance. The Recording tier is usually the right format for this.

What we work with.

Camera

  • Blackmagic Design, ARRI, RED, Fujifilm, Sony
  • RAW & 4K acquisition
  • Cinema lenses
  • Stabilisation: gimbal, Steadicam
  • Aerial: DJI drone (licensed operator)
  • Multi-camera: up to 8 moving cameras simultaneously
  • Plus stationary, fixed-position cameras

Editing & Colour Grading

  • DaVinci Resolve Studio
  • DaVinci Resolve Studio (multi-cam)
  • Colour grading: per location / lighting setup
  • Output: YouTube 4K, Instagram, DCP
  • Dolby Atmos (on request)
  • H.264 to ProRes master to DCP (cinema)

Live Audio

  • Multitrack recording (32+ tracks)
  • Direct desk feed (analogue)
  • Avid Pro Tools Ultimate
  • Mixing & mastering: streaming-ready
  • Loudness: broadcast & streaming standard
  • DCP cinema file on request

Your next concert deserves more
than a smartphone video.

Drop us a short message – when, where, what. We'll get back to you within 24 hours.

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